Music piracy and illegal sharing: are artists being affected
| dc.contributor.author | CAMACHO MURILLO, ANDRÉS | |
| dc.date | 2017-11-08 | |
| dc.description | This essay analyzes the impact that musical piracy and illegal downloads have on singers and song writers. Arguments suggest that even though singers see a direct affectation on their income from royalties (CD sales), these losses are compensated with the sales of their own brand items, concert tickets and advertising contracts. On the other hand, for song writers, piracy does not affect their finances directly, but it does more on motivational terms. The theoretical analysis is based on the income/outcome function as well as on the Cobb-Douglas production function type, which includes piracy as a negative external factor. | en-US |
| dc.description | En este ensayo se analiza el impacto que generan la piratería musical y las descargas ilegales en los artistas: cantantes y autores de letras. Los argumentos sugieren que, si bien los cantantes ven una afectación directa en sus ingresos provenientes de regalías (venta de discos CD), estas pérdidas son compensadas con la mayor venta de entradas para conciertos, venta de productos con marca propia, y un mayor ingreso por contratos publicitarios; contrariamente, para el caso de los autores de letras la mayor piratería no los afecta directamente en sus finanzas sino en términos motivacionales. Los análisis teóricos se basan en función de ingresos y costos, así como en una función de producción de tipo Cobb-Douglas, en la cual se incluye la piratería como una externalidad negativa | es-ES |
| dc.description | Cet article analyse l’impact qui génère le piratage de la musique et les téléchargement illégaux chez les artistes: chanteurs et auteurs de lettres. Les arguments suggèrent que, bien que les chanteurs ont une affectation directe sur les revenus provenant des redevances (ventes de CD), ces pertes sont compensées par une hausse des ventes de billets de concert, vente de produits à marque propre, et l’augmentation des revenus grâce aux contrats de publicité, contrairement au cas des auteurs de lettres le piratage ne touche pas directement leurs finances, mais ils sont touchés en termes de motivation. Les analyses théoriques sont basés sur les revenus et la fonction de coût, fonction de production Cobb-Douglas, qui incluent le piratage comme une externalité négative. | fr-CA |
| dc.description | Neste ensaio analisa-se o impacto que geram a pirataria musical e as descargas ilegais nos artistas: cantores e autores de letras. Os argumentos sugerem que, se bem os cantores veem uma afetação direta em seus ganhos provenientes de benefícios (venda de discos CD), estas perdas são compensadas com a maior venda de entradas para shows, venda de produtos com marca própria, e um maior ganho por contratos publicitários; contrariamente, para o caso dos autores de letras a maior pirataria não os afeta diretamente nas suas finanças senão em termos motivacionais. | pt-BR |
| dc.format | application/pdf | |
| dc.identifier | https://revistas.unilibre.edu.co/index.php/criteriolibre/article/view/1121 | |
| dc.identifier | 10.18041/1900-0642/criteriolibre.2013v11n18.1121 | |
| dc.identifier.uri | http://hdl.handle.net/10901/13890 | |
| dc.language | spa | |
| dc.language.iso | spa | spa |
| dc.publisher | Universidad Libre | es-ES |
| dc.relation | https://revistas.unilibre.edu.co/index.php/criteriolibre/article/view/1121/861 | |
| dc.relation | /*ref*/Galdston, P. (2005). Internet Piracy Harms Artists. In J. D. Torr (Ed.), At Issue. Internet Piracy. San Diego: Greenhaven Press. Retrieved from http://ic.galegroup.com.ezproxy.auckland.ac.nz/ic/ovic/ViewpointsDetailsPage/ViewpointsDetailsWindow?displayGroupName=Viewpoints&prodId=OVIC&action=2&catId=&documentId=GALE%7CEJ3010337205&userGroupName=learn&jsid=2f3da889dd0cc53177a90e7737f5608c | |
| dc.relation | /*ref*/Gayer, A. & Shy, O. (2006). Publishers, artists, and copyright enforcement. information economics and policy, 18. | |
| dc.relation | /*ref*/Gopal, R.; Sanders, G., Bhattacharjee, S.; Agrawal, M. & Wagner, S. (2004). A behavioural model of digital music piracy. Journal of organizational computing and electronic commerce, 14 (2). | |
| dc.relation | /*ref*/Gopal, R.; Blattacharjee, S. & Sanders, G. (2006). Do artists benefit from online music sharing? the Journal of business, 79 (3). Retrieved from http://www.jstor.org/stable/10.1086/500683Ian, J. (2005). Online Music Sharing May Benefit Artists. In J. D. Torr (Ed.), At Issue. internet Piracy. San Diego: Greenhaven Press. Retrieved from http://ic.galegroup.com.ezproxy.auckland. ac.nz/ic/ovic/ViewpointsDetailsPage/ViewpointsDetailsWindow?displayGroupName=Viewpoints&prodId=OVIC&action=2&catId=&documentId=GALE%7CEJ3010337206&userGroupName=learn&jsid=63c246f05-136272559087afc71eeb3a5IFPI (2009, January). new business models for a changing environment. IFPI. Retrieved from http://www.ifpi.org/content/library/dmr 2009.pdf | |
| dc.relation | /*ref*/LaPlante, A. (2009). Digital Music Is the Future of the Music Industry. In R. Espejo (Ed.), At Issue. What is the future of the music industry? Detroit: Greenhaven Press (2009). (Reprinted from information Week, 31 January 2008). Retrieved from: http://ic.galegroup.com.ezproxy. auckland. ac.nz/ic/ovic/ViewpointsDetailsPage/ ViewpointsDetailsWindow?displayGroupName=Viewpoints&prodId=OVIC&action=2&catId=&documentId=GALE%7CEJ3010558204&userGroupName=learn&jsid=158223b84-3fe5e560c24f60fc58f156f | |
| dc.relation | /*ref*/Mc Donald, H. (2012). Get paid in your music career. Retrieved from: http://musicians. about.com/od/otherindustrycareers/ht/ makemoneymusic.htm | |
| dc.relation | /*ref*/Mas-Colell, A.; Whinston, M. & Green, J. (1995). microeconomic theory. New York: Oxford University Press. | |
| dc.relation | /*ref*/RIAA (2009). Illegal File Sharing Threatens the Future of the Music Industry. In R. Espejo (Ed.), At Issue. What is the future of the music industry? Detroit: Greenhaven Press. Retrieved from: http:// ic.galegroup.com.ezproxy.auckland.ac.nz/ ic/ovic/ViewpointsDetailsPage/ViewpointsDetailsWindow?displayGroupName=Viewpoints&prodId=OVIC&action=2&catId=&documentId=GALE%7CEJ3010558210&u serGroupName=learn&jsid=00660b392baa5d9b7372e1cbf3203f61 | |
| dc.relation | /*ref*/SPA (1997b). Software piracy and global competitiveness. Washington D.C.: Software publishers’ Association, | |
| dc.relation | /*ref*/Zentner, A. (2006). Measuring the effect of file sharing on music purchases, Journal of law and economics, Vol. XLIX. | |
| dc.relation.ispartofjournal | Revistas - Ciencias Económicas, Administrativas y Contables | spa |
| dc.rights.license | Atribución-NoComercial-SinDerivadas 2.5 Colombia | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/co/ | * |
| dc.source | Criterio Libre; Vol. 11 Núm. 18 (2013): Revista Criterio Libre No. 18; 113-124 | es-ES |
| dc.source | 2323-0886 | |
| dc.source | 1900-0642 | |
| dc.source | 10.18041/1900-0642/criteriolibre.v11i18 | |
| dc.subject.proposal | piratería en Internet | es-ES |
| dc.subject.proposal | intercambio de música ilegal | es-ES |
| dc.subject.proposal | industria de la música | es-ES |
| dc.subject.proposal | externalidades | es-ES |
| dc.title | Music piracy and illegal sharing: are artists being affected | en-US |
| dc.title | La piratería y las descargas ilegales: ¿se ven afectados los artistas? | es-ES |
| dc.title | Piratage de musique et partage illegal: les artistes sont-ils touchés? | fr-CA |
| dc.title | Pirataria musical e participação ilegal: estão os artistas sendo afetados? | pt-BR |
| dc.type.coar | http://purl.org/coar/resource_type/c_6501 | |
| dc.type.coarversion | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |
| dc.type.local | Artículo Revisado por Pares Académicos | es-ES |